Samantha Gaus
Samantha Gaus is a Providence-based actor, stage manager and all-around contributor to the RI theater community. Her blog can be read at learningtobefunny.com
Samantha Gaus is a Providence-based actor, stage manager and all-around contributor to the RI theater community. Her blog can be read at learningtobefunny.com
I went into this production of Seussical having never seen the show before. Like anyone, I know the classic Dr. Seuss lore, have a deep attachment to the characters and can see why the show is so popular among local theaters with its bright colors, fun musical numbers and stories suitable for children, but subtly […]
Popular Broadway musicals have always classically been about fanfare, big spectacle numbers and broad smiles all around. While there is a place in the canon for the traditional shows of the past, newer shows have paved the way for depth of character, intimate stories and connecting with our emotions. Fun Home was originally a graphic […]
The newly refurbished AS220 black box at 95 Empire is still familiar, but very finely polished and cleaned up around the edges. Upon entering, the set is what looks to be a chic New York loft. It’s become part of the experience with any Counter Productions show that the set is a fully fleshed-out character […]
The reputation of Night Mother by Marsha Norman is that it is intense. When I casually chatted with several local frequent theatergoers about going to see the show, they responded with some form of, “Wow, what a show.” Without having much more than a brief plot summary, I wasn’t sure if that was a good “wow” or […]
Watch on the Rhine, written in 1941 by Lillian Hellman (and winner of the New York Drama Critic’ Circle Award in the same year) is a perfect combination of drama, old-fashioned comedy and historical storytelling. The audience is seated in an intimate and well-to-do living room. Pillows and blankets are in the seats so you […]
My heart soars when I see a show that feels important. Word of mouth is the best marketing any show can get and sometimes a show leaves me not just feeling like I want to tell people about it, but rather to demand they see it due to its power. The Father, a play originally […]