Motif

Author: Alison O’Donnell

  • The Mousetrap

    Attleboro Community Theatre (ACT) proudly presents The Mousetrap by Agatha Christie, skillfully directed by Marissa Simas. The production began as a short radio play written by Agatha Christie as a birthday present for Queen Mary, the consort of King George V. It was broadcast on May 30, 1947, under the name Three Blind Mice. The song played a large part in the fun. The story drew from the real-life case of Dennis O’Neill – who died after he and his brother Terence suffered extreme abuse while in the foster care of a  Shropshire  farmer and his wife in 1945.

    As a stage play, The Mousetrap had its world premiere in Nottingham, England, on October 6, 1952. Wildly popular, the play is still running. Christie did not expect The Mousetrap to run for such a long time – 72 years and counting. In fact, it’s the world’s longest running play in history! According to ACT, this production is “Brimming with intrigue, sophisticated humor, and surprising twists. Christie’s iconic murder mystery about a group of strangers trapped during a snowstorm will honor the tradition of keeping its secrets locked in your heart.” You are kindly asked not to reveal the surprise ending after you leave the theater!

    Each actor brings a unique flair to their character, rounding out the cast for an enjoyable whodunnit mystery. Emily Rizza and Christopher Francis portray husband and wife Mollie and Giles Ralston, proprietors of Monkswell Manor, where the chaos ensues. Ryan Vigneau is hilarious as Christopher Wren, the first guest to arrive at the hotel – a flamboyantly hyperactive young man who seems rather peculiar. Alyce Fitzgerald is all too convincing as Mrs. Boyle, a critical older woman who snobbishly discredits everyone and everything. Bruce Church portrays Major Metcalf, a retired Army man who keeps a low profile, but his eyes are wide open. Miss Casewell, a strangely aloof, masculine woman, is humorously portrayed by Maggie Scarborough, complete with choreography you’ll love. No stranger to the ACT stage, Mark Carter deftly portrays Mr. Paravicini – a man of unknown provenance who turns up claiming his car has overturned in a snowdrift, seemingly affecting a foreign accent while artificially aged with make-up – as animatedly as only he can. Detective Sergeant Trotter, as portrayed by Chase Struss, arrives on skis and questions everyone. Patrick Murphy is the Radio Voice, our source of news relevant to the story.

    “Directing this play has been an exhilarating experience,” says Simas. “Working with a dedicated cast and crew, we’ve infused the production with a groovy spirit, aiming to make the mystery more engaging and relevant for our audience. Taking the helm as director has allowed me to merge my creative vision with Christie’s intricate world.”

    She goes on to say, “Our decision to set the production in the ‘70s isn’t just a nod to the era’s distinctive style, though who can resist the allure of Bell bottoms and lava lamps? Most significantly, it reflects the era’s dramatic social changes, including the rise of public awareness of serial crimes and the evolving roles of women in society. The period not only introduced the term ‘serial killer’ but also heightened the public’s fascination with true crime, which naturally enhances the play’s inherent suspense and fear. The ‘70s also saw the burgeoning of the women’s liberation movement, pushing against the confines of traditional gender roles. In our production, Mrs. Boyle grapples with these shifting norms, while Miss Casewell embodies the spirit of independence, and Mollie Ralston navigates a path between societal expectations and new opportunities for self-reliance.”

    You don’t want to miss this fun thriller! Remember, no revealing the ending! Mousetrap runs through

    September 29. For more information, call 508-226-8100 or visit https://www.attleborocommunitytheatre.net/.

  • FRANKENSTEIN: “ALL I ASK IS THE POSSIBILITY OF LOVE”

    Who doesn’t love Frankenstein’s monster, the hideous creature unnaturally created in a lab from deceased humans’ and animals’ parts? Yes, he does evil things, but who can blame him? Since the publication of Mary Shelley’s popular novel in 1818, the name “Frankenstein” has often been used, erroneously, to refer to the monster rather than to his creator/father. The novel explores themes of death, rebirth, and paternity through its horrifying narrative and dramatic conclusion. As such, several different renditions have become icons in the horror genre over the years. This production by Nick Dear, for Massachusetts-based Roundabout Productions, offers a slightly different perspective. Director Mark Prokes led this enthusiastic cast of 12 in a bold version that sometimes defied the norm.

    Prokes says, “There is a lot of very intense material in this play — some things that people very much would not like to think about. That’s part of what art is for, though. It allows us to confront uncomfortable truths. Nothing in this show is glorified, no one comes out looking like the hero. There are only monsters, and the monsters who made them.” He adds, “This has been one of the most phenomenal casts to work with. There were truly no small parts in this show. My biggest regret is that I couldn’t find more for each of them to do.”

    The Creature, as portrayed by Sam Deans, appeared mostly juvenile and whimsical. It was interesting to watch him energetically morph into the enraged “hideous” creature as the play progressed to the end. While his temper and torment were evident, Deans’ youthful good looks and child-like innocence did not exude that of a monstrously murderous beast. This required suspension of disbelief from the viewers. Many of us are all too familiar with the Hollywood versions we’ve seen, and so we come to the theater expecting to see the likes of Boris Karloff’s creepy creature, or the heartbreak and anguish of Robert De Niro’s ill-tempered monster. This version gave us a different angle to consider.

    Kyle W. Porter adeptly portrayed Victor Frankenstein as a mad scientist who was heartless and egotistical to the end. Frankenstein’s younger brother, William, was adorably portrayed by Ellis Bastien. Sam Terranova as the Female Creature creatively danced off the scientist’s slab as if in a fairy dream. There were violent depictions of threats, intimidation, physical altercations and death, all cleverly handled for viewer sensitivity. Other cast members included Stephanie Sivalingam, Alex Aponte,  Shaughn Earle, Chris Lichtenberg, Graysen Mortimer, Kayla Durkin, Jade Ansell, and Jim Cannizzaro. Lighting was a collaboration between Doug Greene and Lori Beck. Sound effects such as a beating and crickets ,uniquely guided us into the settings. Kudos to Lori Beck for this also!

    Roundabout Productions engages and entertains audiences with theatrical productions ranging from classics to new works. A 501(c) (3) non-profit supporting emerging talent, they provide instruction and performance opportunities to artists of all levels. Frankenstein was presented through September 22 after closing out Richard III. Watch for their upcoming season! They are located at Robert J. Coelho Middle School in Attleboro, MA. For more information, visit https://www.roundaboutproductions.org/.

  • POTUS: Or, behind every great dumbass are seven women trying to keep him alive

    POTUS: Or, behind every great dumbass are seven women trying to keep him alive

    Trinity Rep jump starts its 61st season with Selina Fillinger’s POTUS, directed by Curt Columbus. With all the debating and mudslinging of late, why not take a farcical break from the inevitable political frenzy! The folks at Trinity know many of us dread the upcoming election, and suggest we face our fears and laugh at them with POTUS! When a presidential PR nightmare evolves into a global catastrophe, it’s up to seven women in the commander-in-chief’s inner circle to do damage control. That is if they can keep their sh*t together through the chaos of increasingly absurd antics. Playfully raunchy and uproariously funny, POTUS is a naughty political farce that’ll have you laughing consistently. “There is no more suitable time than this moment for Selina Fillinger’s biting and hilarious comedy, as it pulls back the curtain on the women working behind the scenes at the White House,” says Columbus. “It’s a raucous, bawdy ride that will leave you thinking while you laugh.”

    The cast features seven very talented comedians who portray women of such varying personalities, yet they mesh cohesively. As Columbus points out, “Fillinger’s POTUS is a door-slamming, running-full-tilt kind of a farce! It is filled with roles that women don’t often get to play. While women are often the objects of farce, they are rarely the active subjects of it – the instigators, the agents, the center of the story. And these women have the ideas and the language that motorize the action of the play. They are our sole focus and singular source of all of the comedy.”

    Executive Director Katie Liberman believes we can laugh together and find shared humanity with the women on stage. “While the political theater happening out there is treacherous,” she says, “The political theater happening in here will bring you joy, camaraderie, and hopefully, some catharsis. At a time when women’s voices and bodily freedoms are on the ballot – literally and figuratively, depending on each state – this play and its humor feel more like a necessity than a luxury. We need this piece right now to put the urgency of the 2024 election in perspective through a healthy lens of comedy. Sometimes, the joke is more than just a joke.”

    Besides the crude language, what makes this show so fun to watch is the exaggerated physical comedy. Especially animated are Dusty, the “prostitot” carrying the president’s baby, portrayed by Tay Bass, secretary Stephanie, played by Jenna Lea Scott, and First Lady Margaret, portrayed by Trinity Rep favorite Jackie Davis, who all have us in stitches! The other ladies within emotional proximity to POTUS, while offering equally hilarious wry banter and slapstick buffoonery, include Chief of Staff Harriet (Deb Martin; portrayed by Mary Potts Dennis on Media Night); Press Secretary Jean (Rachael Warren); POTUS’s sister, Bernadette (Rachel Dulude); and journalist Chris (Sara States). Scenic design by Collette Pollard gives us a simple stage with many exits that have the action coming and going throughout. The lighting design by Dawn Chiang delivers ludicrous surprises each time the lights go out. Much thought went into the whimsical costume design of Shahrzad Mazaheri. Rounding out the Artistic Team are sound design by Megumi Katayama, fight & intimacy choreography by Rocio Mendez, and vocal coaching by Rebecca Gibel. You’ll vote yes on this production! •

    Contains profanity, depiction and discussion of sexual situations, depiction of substance use, references to abortion, partial nudity, flashing lights, theatrical blood, and the sound of gunshots. POTUS runs through Sep 22, then in rotating repertory with Kate Hamill’s Ms. Holmes & Ms. Watson — Apt. 2B, which runs October 10 – 27. While the plays differ in style and story, both humorous pieces center women’s voices. For more, visit trinityrep.com or call 401-351-4242

    Photo by Mark Turek for Trinity Rep.

  • The (One-Act) Play That Goes Wrong: What could possibly go afoul?

    The (One-Act) Play That Goes Wrong: What could possibly go afoul?

    Burbage Theatre Co. presents The (One-Act) Play That Goes Wrong by Henry Lewis, Jonathan Sayer, and Henry Shields of Mischief Theatre. “We are thrilled to kick off Season 13 with a bang, or rather, a hilarious disaster! A return to what Burbage does best,” says  Artistic Director Jeff Church, who skillfully directed this raucous production that left us rolling in the aisles. That description is fitting, as they have dubbed their new season “Confronting Chaos.” The One-Act Play That Goes Wrong — with its impeccable timing, broad physical comedy, and relentless merriment — promises to have you laughing from start to finish. Seriously, there’s a laugh every 20 seconds. You’re still recovering from the last laugh when the next begins! 

    Here is Burbage’s synopsis. “You all know the classic murder-mystery story. There has been an untimely death at a country manor. Everyone is a suspect, and an inspector arrives to determine the culprit. However, when this play is performed by the accident-prone thespians of The Cornley Drama Society, everything that can go wrong … does! The actors and crew battle against all odds to make it through to their final curtain call, with hilarious consequences! From Mischief, the creators of the Tony Award®-winning Broadway hit The Play That Goes Wrong is the original one-act play that started everything going wrong. For 75 minutes, expect a plethora of disasters – from missed lines to falling props. Do you ever find out who murdered Charles Haversham? You’ll have to see for yourself!”

    Church gives us a brilliantly enacted production featuring an excellent ensemble of  funny actors. The synergy between this cast of eight is electric! It would have to be, as the ‘improv’ in this play within a play leaves room for much error — yet there is none! It’s incredible how well the cast delivers each time, as the actors react and adapt to all the mishaps in their production. You’ve likely never seen anything like this. Mayhem never looked so merry! 

    The  talented ensemble includes Allison Crews, Liam Roberts, Valerie Westgate, Jack Clarke, James Lucey, Michael Greene, Hector “Manny” Maldonado, and Andrew Iacovelli. The design team created an explosive set. that, as Church says, “We will gleefully destroy at every performance, undoubtedly adding to the chaos and fun.” The spectacular crew who adeptly pulled all this off includes stage manager Hector “Manny” Maldonado, assistant stage manager Noah Goldman, set designer Trevor Elliott, technical director Andrew Iacovelli, Brittany Costello ATD/props, and lighting design by Thomas Edwards.

    “I’ve been interested in this show since the full-length version first moved to Broadway  in 2017,” says Church. “I caught Lyrics Stage’s production in Boston a few years ago and laughed harder than I  ever have in the theater. When I saw there was a one-act version, I was thrilled. It’s more compact but hits almost every mark. It was time to do it at Burbage.”

    Church, known in the state for his hilarious physical comedy, was a natural choice to direct this production. “It was difficult to stage and rehearse at times – the timing has to be so precise for audiences to catch every note, and the bells and whistles of the set and props require a lot of patience to figure out and fit into the show. It can be grueling at times to make that happen. It requires much repetition. But this cast has been game from the word, ‘Go.’ They are a special group – all talented, funny, and just good people. Their hard work is the reason this process was such a joy, and it really was. Our production team also broke their back to prepare the set   so we could rehearse with it as much as possible. Suffice it to say, I count myself a lucky director.” 

    “I really just want people to have a laugh,” Church adds. “Laughter is important, especially in these often distressing times…   This is one of the best shows written in the past few years for a good laugh.” Stay for the cast’s “Talkback Questions” at the end. It’s worth the extra five minutes.

    Burbage’s production of The One-Act Play That Goes Wrong is presented through September 22. For more information, visit www.burbagetheatre.org or call (401) 484-0355.

    Photo: Maggie Hall, Burbage Theatre Production Photos

  • 42nd Street: A Toe Tapping Extravaganza

    42nd Street: A Toe Tapping Extravaganza

    Theatre By The Sea proudly closes out their summer season with the Tony Award-winning celebration of Broadway, 42nd Street. To say this production is great fun would be a total understatement! From the minute the show starts at half curtain, you’re already beaming ear to ear and tapping your foot! This family-friendly classic features a hit parade of familiar songs you may not have known premiered in it, including “Lullaby of Broadway,” “We’re in the Money,” and of course the title song. With one show-stopping tune after another, arresting tap dance sequences and lavish costumes, 42nd Street is Broadway razzle-dazzle at its finest! This glamorous 1930’s musical is as well-known as the street it is named for. The cluster of New York theaters, especially near the intersection with Broadway at Times Square, had been aptly dubbed the theater district (as well as the red-light district). Based on the 1932 novel by Bradford Ropes and the subsequent 1933 Hollywood film adaptation, this backstage musical follows the rehearsal process of a Broadway show staged during the height of the Great Depression. As quoted in the playbill, “The stakes are high when a young chorus girl, fresh from Allentown, PA, is given the once-in-a-lifetime chance to become a star in a new Broadway show, which recalls both the classic days of Broadway and the Golden Age of Hollywood movie musicals.”

    Director Jessica Wockenfuss has brilliantly recreated the Broadway revival choreography originally created by Randy Skinner. “It was an honor to make my directorial debut at the same theater where I was an intern 16 years ago!” she says. “I am so grateful for this company of wonderfully talented actors and dedicated crew members for putting up this immense show. It’s a show about what we do here in the theater, so it’s very meta! I am very lucky to be surrounded by such supportive and compassionate people here at TBTS.” 

    In the role of leading lady Peggy Sawyer is New York’s Laura Guley, and Billy Lawlor is portrayed by Houston’s Ashton Lambert. These two are pure joy to watch as they make their spectacular dancing look as effortless as does Oz’s limber Scarecrow! As if that isn’t enough, their beautifully melodic voices take center stage.

    “This production was an absolute dream to work on,” says Guley. “To me, there is nothing more gratifying than spending long hours in the studio, surrounded by a group of people as loving and as passionate about the show as you are. It makes the hard work and the sweat so worth it when you’re all in it together. This show is nothing without the ensemble, and our ensemble is one of the most talented and hard working groups of people I’ve ever met and I feel so lucky to be surrounded and uplifted by them every day.” She goes on to say, “I know the work it takes to run around for two and a half hours, effortlessly quick changing from one ten-minute dance number to the next, creating beautiful pictures for the leads around you so they look good, losing your body weight in sweat, but at the end of the day, just being so thrilled to be a part of it all.”

    Oftentimes, an actor or three will shine above the rest, garnering a standout shout-out from this reviewer. However, the talent here is so remarkable, it’s impossible to say anyone outshined the rest! Kat Gold and Rendell DeBose portray the musical comedy writing team of Maggie Jones and Bert Barry. Not only does this duo add intoxicating comedic substance, their spot-on vocals blow the roof off. Joining them in the roles of Dorothy Brock and Director Julian Marsh are TBTS audience favorite Merrill Peiffer, and Broadway veteran Patrick Ryan Sullivan. While portraying the director of the show, Sullivan adroitly makes us feel the highs and lows of his character’s theater career.

    Kevin Patrick Martin portrays choreographer Andy Lee, and Broadway’s Beau Allen takes on the role of Abner Dillon. Mallory Davis serves as associate choreographer/ dance captain and appears in the role of Lorraine, which she portrayed on the national tour. Completing the cast are Kalista Curbelo, Glenn Girón, Benji Godley-Fisher, Rosie Granito, Taavon Gamble, Bailey Reese Greemon, Ciara Hargrove, Miya Heulitt, Haley Holcomb, Elizabeth McGuire, Henry H. Miller, Meag O’Meara, Rob Oulette, Rafa Pepén, John Reed, Mario Rizzi, and Maggie Mae Roach.

    Broadway pianist/conductor and Music Director Milton Granger gives us a feast for the ears with this amazing score. The creative team includes resident Scenic Designer Kyle Dixon, who gives us sheer curtains featuring stylish ads of the era. He uses these for incredible shadow dancing scenes you’ll absolutely love, especially during the song Shadow Waltz! Wig designer Liz Printz, along with gorgeous costumes and props provided by 3-D Theatricals give audiences a magical feast for the eyes that totally captures the glitz of the era. Lighting designer Weston Wilkerson and sound designer Ben Scheff complete the magic circuit. You won’t be sorry closing out your summer with this breathtakingly dazzling, sensational treat!

    42nd Street will be presented through September 15. For more information, visit www.theatrebythesea.com or call 401-782-TKTS (8587).

    Photo: The cast of “42nd STREET” at Theatre By The Sea thru September 15, 2024. Photo by Mark Turek.

  • Empire Revue: The Escape Show!

    Empire Revue: The Escape Show!

    Rhode Island’s longest-running premiere sketch-comedy showcase, the Empire Revue, is a curation of original sketches and songs, with the music of the Empire Revue House Band featuring special guest comedians, musicians, and other performing artists. Summer is a great time to escape, and August 11, allowed us to do just that! The show is billed as “A convivial conga of comedy carousal! The Sparkling Beatniks have been working hard all summer on new music and material to make you laugh. The Beatniks are hot but the theater was cool, man! This is the perfect way to escape the doldrums of a steamy summer night!” Co-producer and stage manager Nicky Mariani-Wilson said, “This summer’s edition marks our 19th anniversary presenting the show, which debuted in 2005 at the AS220 main stage.” The musicians make their job look easy, but Mariani-Wilson clearly worked hard as she ran around changing out props between skits and musical acts. She runs the 2.25-hour production alongside co-producer/creator Keith Munslow, who also serves as host, band leader, and director. With Munslow on keys, the other members of the House Band include George Dussault (guitar, vocals), Rick Couto (drums), and Joe Potenza (bass). “The Sparkling Beatniks are a troupe of 12 people or so, but not every person in the troupe is necessarily able to be in every show,” explained Mariani-Wilson. Performers on the 11th included Wilbury veteran Dave Rabinow (NASA Mission Control, Piña Colada guy), Kelly Seigh (Grandma, Pina Colada Woman, Cop Singer), Russ Kellogg (Alien, Astronaut, Marshall), Kate Sayles (Game Show Contestant, Hermit), Stuart Wilson (The Dictator, Game Show Host), Tiffany Fenton (Bubbles Woman, Bartender, Bailiff), and guest Beatnik Chris Brunelle (Prisoner Contestant, Prisoner Singer). Other performers you might see in the future include Tina Wolstencroft, Rachel Winslow, Jimmy Sorel, Brian Elliot, and Jake Goldman. Standout performances included a sketch called “The Easy Way Out.” Stuart Wilson, who played a dictator, and his wife, portrayed by Kelly Seigh, hysterically tried to off themselves with cyanide. Another skit, called “Grandma Won’t Leave,” features a woman (Kelly Seigh) kissing an alien (Russell Kellogg). Too funny! What will they think up next? •

    The Empire Revue appears every quarter at the Wilbury Theatre Group in the WaterFire Center for the Arts, so if you missed it this time, stay tuned. They’ll be back this October!

  • Fast(er) Fashion: Is AI the answer to creating the magic?

    Fast(er) Fashion: Is AI the answer to creating the magic?

    Fashion can go deeper than we give it credit for, allowing us to express our unique identities, enhance our persona, break norms, and adapt to changing attitudes and gender dynamics. New fabrics and applications can inspire creativity. Fashion lets us embrace our individuality and stand out, which makes us happy. This trend has been called “dopamine dressing” by style publications.

    Social media is full of ads prompting us to check out trends on clothing for all seasons and events. This is as appealing as it can be fun. Some of us have a style all our own that defines us, displayed as an art form like a personal tattoo. It can be frustrating for both the shopper and retailer when trying to get the fit right, and trying to be environmentally conscious, as most returned clothing ends up in a landfill. Some people in the apparel industries are turning to Artificial Intelligence (AI) to solve these issues. We’re still in the early phases of this, yet it’s already mind-blowing!

    AI can aid both customers and manufacturers in solving a host of fashion faux pas. It can determine better-fitting clothing, which makes shoppers happier, reducing their waste and the industry’s environmental impact. Designers use AI to create fabrics and garments, and consulting firms use it to predict trends. AI can even authenticate upscale items, like Coach bags and Rolex watches. Social media can play a big role in this, as all this magic happens via data collection. Customers buying from larger retailers often leave reviews about the fit of their clothing or shoes. That data is collected, and the retailer may then suggest buying one size larger or smaller based on the feedback averages, helping to avoid returns. Whether you’re an armchair shopper or creator, AI could be your new best friend. Let’s say you design your own clothes and offer them for purchase via Instagram. Potential buyers can virtually try on the clothes using AI apps.

    You may have already used these when purchasing prescription glasses online, or even envisioning how household items like a throw rug will look in your living room. Apps like DressX, enable you to project garments onto your body, then play with colors, textures and accessories to get the look and fit you’re trying to achieve. If you’re a designer, maybe you’re envisioning something particular you want to create. All you have to do is tell AI to create it, and voila! Then when you go to market your designs online, AI can help you generate attractive backgrounds. See your creation come to life by entering written prompts into AI generators via businesses like Off/ Script. Piece together mock creations in the platform’s design studio, where other users vote on their favorites. Off/ Script oversees the process of converting the winning designs into physical inventory, making your vision a reality. You’re now all set to show off and sell your AI-designed clothing and accessories.

    But what about those small businesses we love to support? Apparently, AI can actually hurt them. Fashionista Dee Dee DiSanto, who believes in supporting recycled, remixed looks, smaller stores owned by Black, Indigenous, People of Color (BIPOC), and women, says, “I do not use AI and I don’t think it is relevant or helpful to what I’m doing. I’m in a fairly small niche of the fashion world, slow fashion. Many of my followers and brands that I work with are artists and craftspeople. AI is fundamentally at odds with what we are working to do, which is to elevate traditional and ecologically sound techniques to make clothing.” DiSanto says building a slow fashion wardrobe can be a long and often intensive process. “Since most small brands are online only and can be quite expensive, finding pieces that work for you and your budget takes time and patience, but when it comes down to it, the most sustainable wardrobe is pieces that you wear and love. Something can be beautiful and well-made, but if it doesn’t fit quite right or vibe with other pieces in your wardrobe, it will just sit and collect dust. That’s why I love using the @lucky.sweater app to trade pieces that don’t quite work for me. It’s a fun and low-cost way to find new pieces with no extra outlay of funds.”

    Check out her Instagram, @textile.mixologist. What is slow fashion? DiSanto explains, “Slow fashion is essentially the opposite of fast fashion, meaning high quality clothes made in an ethical and environmentally friendly way. They cost more but have a higher value because they are made to last. Most clothes made by large retailers like Zara or H&M, or worst of all, Shein, use factories in countries like China and India where the working conditions are abysmal and there is a high level of pollution. The cost for production is born on the backs of the people living and working there.” Ask yourself, if you knew this was happening, would you still want to buy from these retailers? It may all come down to whether you are a trendy person, or keen on accentuating your individuality. Either way, whether you are a designer or simply a fan of expressive clothing, fashion remains a fun and vivacious way to swank your stuff— the world is your catwalk! •

    Photo by DeeDee DiSanto

  • Two Century Strikeout: An interview with PVD’s unique base ball team

    Two Century Strikeout: An interview with PVD’s unique base ball team

    The Providence Grays Historic Base Ball Club (the two-word spelling here is intentional and historically correct), established in 1998, recreates the game as it was played in the 19th century. “Some signature styles are in 1870 or Civil War-era showcases, but we focus on more than one era,” explains Captain Brian Travers. “We’re showcasing 20-30 years of base ball.” While his primary job is to run the field, Travers also serves as CEO. “We have a board of trustees, as this is a nonprofit.” The club was founded by President Emeritus Tim Norton, and Travers swears, “He’s the reason we exist. We try to live up to his vision.” The current president is Jon Henson.

    There are rules to follow, which can vary weekly according to the year(s) chosen for each game scheduled. This information is posted on their website, so you’d know in advance which year’s rules they’re playing by each time. Keeping things historically authentic, especially the uniforms, can be difficult without accurate records of what players wore back then. But they believe they’ve got it pretty close. This means anything that hadn’t yet been invented is technically not allowed, like deodorant.

    “We can overlook that because it’s unseen,” says Travers. “I’m not playing without deodorant!”

    Players sometimes search for uniform pieces at antique shops and other vendors online, doing their best to keep things original, but it’s not always possible. Travers comments, “We never really got belts right. But if I can find the right material, I’ll try to make team belts.” Sure, they can go to Dick’s Sporting Goods and buy a belt, but it wouldn’t seem genuine. Travers agrees, “I’m more concerned with the material. I want something that feels authentic. Cleats are hard to find, but belts we can manufacture.”

    Some teammates also play in musical bands. One even wrote the music for the team documentary, so working around schedules can be challenging. As a touring team, these players are often on the road; however, you can catch them locally at the Rocky Point Historic Base Ball Festival the weekend of August 17 and 18 in Warwick. The game on August 17 is at Goddard Memorial State Park, and on August 18 at Rocky Point State Park. The historical tie to Rocky Point is that base ball’s GOAT (Greatest Of All Time), Babe Ruth, once played there. “We don’t play exactly where that was, as the whole area is now overgrown,” says Travers, who fondly recalled the theme park that once encompassed the area. The Grays’ track record is impressive. “Of course, we like to win,” says Travers, as they often do, “but playing accurately and educating the public is just as important. We want people, between games, to come up and check out the bats and the gear and ask questions!” “With 49 exhilarating games on the docket, the 2024 season promises to be a veritable carnival of base ball delights!” Travers says. Winners of four of their last six games this June, they surpassed 26 games at the Elizabeth Resolutes 25th Anniversary Festival and Paul Salomone History Day in Rahway, NJ. “We will have surpassed 32 games by Rocky Point, provided the weather holds, but in 22, we’ve only had a little rain. We’ve been lucky so far,” says Travers. “We play in the rain, as they did historically. There’s been nothing bad enough to stop us from playing.” As the season progresses into autumn, there will be many more games, including a late-season road trip to Bovina Center, NY, for the Cowtown Scramble hosted by the Dairymen. Considering the amount of traveling they must do each weekend to get to these away games, Travers adds, “If I’ve been driving for two hours, I want to play!” •

    For more about the team, official rules, roster, and schedule, visit providencegrays.com.

  • Fosters Shady Acres Diner: 50’s nostalgia in a down-home apocalyptic cafe

    Fosters Shady Acres Diner: 50’s nostalgia in a down-home apocalyptic cafe

    Proud Apocalypse servers from L-R: Syndi Lowell, Isabella Rambone, Ivy Sousa, Caseylynn Norato. Photo by
    Alison O’Donnell

    Shady Acres Diner on Danielson Pike in Foster, Rhode Island, has been a long-time staple with fun, nostalgic ambiance. Offering breakfast, lunch, and dinner to locals and travelers alike, everyone is family here!

    “We survived COVID, having bought the diner from the original owners just a few months before COVID hit,” says proprietor Desi Wolf. Having prior restaurant experience didn’t help her and husband Mike prepare for a global pandemic, but they made the best of it, taking that time to renovate.

    “We had to quickly figure out, ‘How are we going to function, how are we going to make money, what are we going to do?’ So we decided we would utilize the takeout window. I went online and purchased a neon sign— Apocalypse Café, a direct result of COVID.” Loyal customers did the rest, keeping it alive. It wasn’t always smooth sailing…

    When Shady’s opened under the new management, locals complained about a change in the coffee, and
    some of the beloved menu being cut; but raved the quality of the food was taken to the next level.

    Open every Wednesday-Sunday, it tends to be a favorite weekend breakfast spot. You’ll love their cool 1950s décor, says Wolf of the furnishings, “The great thing about Shady’s is it’s Americana. We can do whatever we want! It can be anything — there are no restrictions, so it’s fun!”

    There’s an entire side panel to an antique Corvair on one wall, and also an “Apocalypse Car” grille hanging above the kitchen’s grille window, which will be featured in an upcoming AMC horror series, NOS4A2, expected to debut next summer.

    This series was adapted from a mystery/thriller written by Joe Hill, the son of renowned horror author Stephen King. Although the setting takes place in Haverhill, MA, filming took place in various locations across RI, including a carhop scene in Shady Acres Apocalypse Café. Pronounced Nosferatu, the series follows a young New England woman named Vic McQueen (Ashleigh Cummings), who uses her supernatural abilities to track the show’s villain, Charlie Manx (Zachary Quinto). Manx feeds off the souls of children before depositing them in a place called Christmasland (filmed at Goddard Memorial State Park), a deviant place out of Manx’s imagination where every day is Christmas, and unhappiness is
    outlawed!

    “There are scenes from Iowa and Colorado in the show, and RI doubles for those as well,” said RI Film and Television Executive Director, Steven Feinberg, in a previous interview. “It’s the smallest state with the biggest backlot.”

    “We’re delighted to be in Rhode Island,” said showrunner Jami O’Brien, who adapted the book to television. “We’d been considering filming in Vancouver, Canada when someone suggested RI.”
    “You have so many different looks here without driving too far,” adds Lauren Corrao, co-president of Tornante Television, who brought the show to AMC. “Rhode Island serves as Colorado, Iowa cornfields, Kansas and some fantasy places too. We’ve filmed in every corner of the state.”

    In the modern/realistic arena, here at Shady Acres you’ll see wistful photos of old customers on the wall, alongside the gleaming smiles of new customers too.

    “Sometimes people say they want their photo to be on the wall!” says Wolf. “And that’s what I want it to be, just a fun community that people can kind of rally around.” And it is!

    The food’s great too. If you like homemade corned beef hash, you must try the to-die-for hash Benedict. Just sayin’! •

  • TOOT! TOOT! TOOTSIE!!

    TOOT! TOOT! TOOTSIE!!

    Sandy (Jacob), Jeff (Marino) and Michael (Anderson)

    In celebration of 91 years of Theatre By The Sea, owner/producer Bill Hanney is presenting the

    Tony Award-winning musical Tootsie. Making his Theatre By The Sea debut as director and

    choreographer is NYC/London-based Richard J. Hinds, who served as the associate director on the Broadway productions. He will be joined by Tommy Iafrate, who brings flawless musical direction to the performance.

    This laugh-out-loud love letter to the theater has been called “musical comedy heaven” (Rolling Stone) and “the most uproarious new musical in years!” (The Hollywood Reporter). Based on the 1982 award-winning film starring Dustin Hoffman, Tootsie tells the story of Michael Dorsey, a talented but difficult actor who struggles to find work until one show-stopping act of desperation lands him the role of a lifetime. Featuring the hilarious book by Robert Horn and a dazzling score by David Yazbek, Tootsie is a joyful delight packed with so many punchlines that it should be called a jokebox musical!

    “When I saw Tootsie on Broadway, I found myself laughing much more than I had at a show in quite some time!” said Hanney. “It was easy to understand why the book won the Tony Award. It was also one of the best examples of drawing inspiration from source material I had ever seen. They didn’t just put the movie on stage. They created an all-new stage show which felt very fresh yet comfortably familiar. I am looking forward to feeling the barn shake with non-stop laughter throughout the run!”

    This spectacular 22-member cast features incredible talent that leaves you wondering when they will make a mistake or hit a sour note, but it never happens! The brilliance of Kyle Nicholas Anderson in the dual roles of Michael Dorsey and Dorothy Michaels is simply incredible. There’s not one second of downtime in his acting and singing during this fast-paced, uproariously funny take on the story you know and love. Joann Gilliam absolutely wows as Julie Nichols, Michael’s love interest. Brooke Jacob masterfully portrays the quirky Sandy. Jeff Brooks plays the antagonist we love to hate, as show director Ron Carlisle. You know whenever Dean Marino appears, you’re going to laugh, as he is spot-on with the well-timed spoken and physical comedy of Jeff Slater. Crystal Sha’nae is a force as Rita Marshall and Jadon Webster, as simpleton Max Van Horn can show us his chest any time!

    Returning to the Theatre By The Sea stage after a 30-year absence is local favorite Fred Sullivan, Jr., who expertly portrays the evil agent, Stan Fields. Completing the cast are Connor Barton, Zoe Gillis, Bailey Reese Greemon, Marcus Henson, Chase Call, Henry H. Miller, Zachary Nieman-Macak, Elle May Patterson, Erica Peréz-Gotay, John Reed, Mario Rizzi, Kimmy Sessions, Taryn Smithson, and Emma Stricker.

    Together, this cast and crew give a flawless performance. It is a must-see! Resident scenic designer Kyle Dixon has once again outdone himself. He never ceases to amaze with his clever set designs that move flawlessly from one to the next, and there are many in this production! The creative team also includes costume designer Dana Pinkston, lighting designer Weston Wilkerson, and wig/hairdesign by Rachel Padula-Shufelt.

    Audiences can enhance their theater experience before the show by dining at the on-site restaurant Bistro By The Sea. It recently reopened under new management by Mark and Alicia Bryson of Duck Press in Wakefield. Reservations (recommended) can be made online at theatrebythesea.com or by emailing bistrobythesea4@gmail.com. Theatergoers can enjoy a glass of wine by the lush seaside gardens, which contain over 300 varieties of perennials, grasses, shrubs, and climbing plants, offering a magical environment to relax in.

    Tootsie will be presented through July 20. Run time is approximately 2 hours 40 minutes, including

    intermission. Contains strong language. For more information, visit www.theatrebythesea.com or call (401) 782-TKTS (8587).