Michael Bilow

Braving the Terrorists at the Cable Car Cinema

The Cable Car Cinema in Providence was among a phalanx of independent theaters that screened The Interview after all of the major chains abandoned it, fearful of controversy and terrorist threats generally assumed to emanate from North Korea, where some were unhappy to see their dictator Kim Jong-Un portrayed as an assassinated buffoon. The first two […]

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The Impaler’s Progress: An Evening with the Hitler of the 15th Century

Actor Mark Carter is well-known in theatrical circles for many years of performing, but he has been working for over a decade on a personal dream project as a scriptwriter, bringing to the stage something of the life of Vlad III, a 15th Century monarch of Balkan Wallachia (in modern Romania, near Transylvania) who became […]

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To Pee or Not to Pee: An All-Pug Hamlet Media Frenzy

Kevin Broccoli is a serious man: artistic director of Rhode Island’s Epic Theatre, author of plays and monologues that have been performed by literally hundreds of actors, and an acclaimed director and actor himself. Yet nothing of his prior years of committed work in theater attracted the kind of viral publicity as his recent Kickstarter […]

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Cock, or the Rooster Play: That’s not a euphemism

Plays with titles intentionally chosen to be unprintable in the mainstream press are usually terrible. The New York Times reviewed the off-Broadway American premiere under the title “___ (The Cockfight Play)” apparently thinking that a long low line would preserve the innocence of their readers, and separately profiled author Mike Bartlett as “The Playwright Who […]

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