Susan McDonald


Blues for Alabama Sky: Theater review

Although set almost 100 years ago in Depression- and Prohibition-era Harlem, today’s political climate makes the soul-wrenching tale of oppression and hatred in “Blues for an Alabama Sky” eerily familiar.On stage at Trinity Repertory Company, the nearly three-hour piece was written by Pearl Cleage, dubbed the most important playwright alive by Trinity Artistic Director Curt […]

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Amadeus: Gamm Theater

Such lavish pomposity and tomfoolery abound throughout Amadeus that any preconceptions of a stuffy 17th-century Classical music scene are dashed in shards of champagne-tinged crystal. Peter Shaffer’s creation, on stage at Gamm Theatre, is almost three hours of fast-paced wackiness as prodigy Wolfgang Amadeus Mozart comes of age in the brutally competitive Austrian emperor’s court, […]

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The Effect: Review of new play at The Gamm Theater

Humans know precious little about brain function, something that doesn’t change – and might actually worsen – in viewing “The Effect.” British playwright Lucy Prebble’s work, on stage at The Gamm Theatre, centers on two scientists and two volunteers in a sequestered medication study of the effect different doses have on depression. As doses increase, […]

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A Beautiful Noise, The Neil Diamond Musical: An interview with a young Diamond

All it took was one glance at the audience for Nick Fradiani to settle into his character the first time he stepped onstage for the Broadway production, A Beautiful Noise: The Neil Diamond Musical.  The Connecticut native proved that it’s a myth that actors are so blinded by the footlights they can’t see the audience, […]

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La Cage aux Folles

Five days into Pride Month and Trinity Repertory Company launched a larger-than-a-teased-beehive celebration of love that leaves its audience crowing with laughter and welling with emotion. Trinity’s 60th season ends with a feisty production of Harvey Fierstein’s 1983 Broadway musical La Cage aux Folles, examining the concept of loving who you want romantically and within […]

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