Rocky Horror Show: Punk Tranvestites from Transsexual, Transylvania

rocky2It’s difficult to review a production of a show after seeing it numerous times elsewhere on stage and literally many hundreds of times on screen, because the inevitable tendency is to emphasize what is different or unusual. However, most audience members think of The Rocky Horror Show as perhaps the definitive iconic Halloween theater piece, and they are coming to see something familiar. Both kinds of audience members will be happy with the current run at the Warwick campus of the Community College of Rhode Island (CCRI), in abundance.

When it first hit the London stage in 1973, The Rocky Horror Show was an obscure production in a small attic performance space, about as far off-off-off-Broadway as possible, but it became a surprise must-see hit for everyone who had been anyone in Swinging London. The original company had artistic roots in the King’s Road proto-punk scene that a few years later would bring first-wave punk to public attention, giving birth to bands such as the Sex Pistols. Hurling itself against every sacred cow it could find, dressing male characters in high heels and corsets, the show reveled in flouting ’70s-era sexual taboos with songs such as “Sweet Transvestite,” “I Can Make You a Man,” and “Touch-A Touch-A Touch-A Touch Me.” A film version was released in 1975 that, by 1980, was well on its way to becoming the ultimate midnight cult classic.

rocky1A parodistic homage to hokey science-fiction and movies from the 1930s through the 1960s, many of which (King Kong, Flash Gordon, The Invisible Man, When Worlds Collide, Forbidden Planet, The Day the Earth Stood Still) are explicitly referenced in the lyrics of the opening song “Science Fiction, Double Feature,” the plot concerns two newly engaged high school students, Janet Weiss (Chelsea Titchenell) and Brad Majors (Jerry Middlemiss), going for a drive to thank the teacher of the science class, Dr. Everett Scott (Matthew Charles Parker), in which they first met. On the way during a drenching thunderstorm their car breaks down and they seek refuge in the castle of Dr. Frank N. Furter (Antonio DiPrete) who, attended by his household servants Riff-Raff (Ryan Harris) and Magenta (Victoria Jessop) as well as his groupie Columbia (Victoria Ezikovich), is an alien mad scientist transvestite trying to create a  monster, Rocky Horror (Brayam Renovales), in the process making use of rocker and outlaw badboy Eddie (Jeana Ariel Garcia). Periodically the action is explained by a Narrator (Nicholas P. Menna) who also occasionally interacts with the characters. The aliens “from the planet Transsexual in the galaxy Transylvania” include an ensemble of dancing Transylvanians (Erin Battista, Margret Celico, Ryan Cloutier, Audrey Lavin Crawley, Nicholas Hennemann, Victoria Lafond, Destinee Mangum, Kimberly, Middlemiss and Kayla M. Rainey).


Director Ted Clement wisely avoids slavishly copying the well-known film, in some cases casting very effectively against type. The statuesque, lithe and near-feline Ezikovich as Columbia seems a full head taller than the hard-rocking Siouxsie-Sioux-like Garcia (wearing a Sex Pistols T-shirt) as Eddie, and they make a good pair in a reversal of the usual visual dichotomy. All of the vocals were on point, but  some departed from tradition, notably DiPrete as Frank with an effective but soft, jazz-inspired style and the magnificent Jessop as Magenta (and Usherette) with a hint of operatic style. The show follows very much in the rock-musical theater tradition of its era, heavily influenced by Jesus Christ Superstar and Hair, so there is a lot of room for interpretation that the CCRI cast made good use of. Titchenell as Janet Weiss (“Touch-A Touch-A Touch-A Touch Me”), Renovales as Rocky Horror (“Sword of Damocles”) and Garcia as Eddie (“Hot Patootie”) all nailed their respective solo pieces.

The set seems inspired by classic horror films, especially where Rocky Horror is created in a vertical “womb” tank reminiscent of the 1958 Hammer film Revenge of Frankenstein. (Be warned that there is quite a lot of chemical fog.) A projection multimedia system provided good background during “Science Fiction, Double Feature” by showing clips of the classic movies referenced in the song, along with somewhat puzzling creepy images such as a giant eye. Keeping the Transylvanian ensemble on stage for most of the show turned some of the songs into synchronized dances — a good idea.

At film runs of The Rocky Horror Picture Show it is de rigeur for the audience to shout callbacks frequently while live actors are shadowing the action on screen, but for live shows that is usually greatly minimized. There was not much audience participation after shouts of “SLUT!” and “ASSHOLE!” on the first appearances of Janet and Brad, respectively. The convention at major professional performances such as Broadway or the West End is for the audience to always keep silent during songs, to heckle the narrator as much as seems clever and funny, and throw in occasional very short comments otherwise. There was no guidance provided at the show about what was expected, although in response to my question afterward, director Clement said he encouraged audience participation, but “At the same time, I’ve avoided instructing the audience to do so, because I’d like it to be as organic as possible. If the audience chooses not to do it, that’s fine with me.”

If you’re looking for a fun Halloween-themed entertainment romp, CCRI has a good balance of the original and the familiar in their performance of the live stage version of The Rocky Horror Show.

The Rocky Horror Show, directed by Ted Clement, Community College of Rhode Island (CCRI) Knight Campus, 400 East Ave, Warwick, RI. Fri (10/23, 10/25), Sat (10/24) 7:30pm; Sat (10/31 – Halloween) 10:00pm, Sun (10/25, 11/1) 2:00pm. No advance ticket sales, but telephone 401-825-2219 for reservations. Contains frequent references to 1970s-era sexual taboos and extremely occasional strong language, but quite tame by modern standards. About two hours including intermission. Web site: Facebook event: