Epic Theatre continues its season, themed “Conviction,” by tackling one of the ultimate tests of conviction. Stephen Alby Guirgis’s 2011 play, Motherfucker with the Hat, tackles a challenge of addiction that is less often discussed but perhaps the most difficult: preventing a relapse. After the intense season opener, We Are Proud to Present…, this is […]
One day in high school, I sat in an assembly where some earnest actors tried to show us how “edgy” Shakespeare was. I remember thinking the whole thing was pointless, since by then, we all knew that Shakespeare was filled with sex, violence and murder. The REAL challenge – or so I thought – would […]
I had the recent opportunity to speak with Trinity Rep’s conversationalist-in-residence, Christina Bevilacqua. Our conversation follows: Alison O’Donnell: What does a conversationalist-in-residence do, and what brought you to play that role at Trinity Rep? Christina Bevilacqua: I kind of made up the title! In the 11 years I spent producing humanities-based conversations at the Providence Athenaeum […]
My heart soars when I see a show that feels important. Word of mouth is the best marketing any show can get and sometimes a show leaves me not just feeling like I want to tell people about it, but rather to demand they see it due to its power. The Father, a play originally […]
The Gamm will open their 2018-2019 season with The Night of the Iguana on October 11. Fred Sullivan, a longtime member of Trinity Repertory Company, is directing the classic play by Tennessee Williams at The Gamm’s new home: the former Ocean State Theater Company building in Warwick. Tony Estrella stars as the Rev. T. […]
CCRI’s theater program offers students the opportunity to explore the theatrical arts academically, professionally and in performance. “I had a very profound experience helping people discover themselves as actors or lovers of theater,” said Ted Clement, CCRI theater program coordinator. CCRI’s Associate in Fine Arts degree in theater offers two tracks: performance and technical. Both […]
As a theater performance major at Rhode Island College (1988-1992), I was fortunate enough to experience part of what many feel were the “golden years” of the program. Given the choices to attend Emerson or NYU, I chose RIC, not just as a financial fallback, but also because RIC had the reputation as one of […]
The Guardian’s Michael Billington once wrote, “…at its best, farce makes us laugh uncontrollably while showing human beings reduced to a state of desperation.” This quote comes from an article intended as a response to critics of the form who decry the sexism often found in farce as well as the manner in which classical […]
Like many Rhode Islanders, I first saw Paula Vogel’s How I Learned to Drive 20 years ago at Trinity Rep. How fitting it is, then, to celebrate this groundbreaking production with The Wilbury Theatre Group, a theater known for producing provocative and thought-provoking theater. Let’s begin with the set. Walking in, Monica Shinn’s set welcomes you […]
The Community Players open their 98th season with a community theater staple, Social Security, directed by James Sulanowski. It opened on Broadway in 1986 and ran for about a year, during which time it picked up a few awards, mostly for the set design. Locally, it has been performed by a few different community theaters […]